When did the audio and music production for Aragami begin, and how did you connect with the developer Lince Works? The game lets you sneak past all the enemies if you so choose, or go nuts and kill everyone on sight, or maybe a mix of both? It’s all up to the player! What is cool about Aragami is that you can also decide how you would like to traverse the various levels. By discovering the fate that binds them together, you learn to control the powers of shadows, like teleporting, luring enemies into traps, and summoning beasts to devour them. You’re summoned by a mysterious girl, Yamiko, who pleads you to rescue her from the army of light and exact revenge on those who imprisoned her. Could you tell us a little about the game?Īragami is a third-person stealth game where you play as an undead assassin who has the power to control the shadows. So you landed your first gig, and now – several games later – your latest project Aragami has been released. So she called me up and we sent them three different songs, which led us to get our very first job! Around the end of 2012, Elvira got in contact with the people working on the game Hammerwatch and they asked us to pitch a demo for the game. We both also studied different areas of game development with the same goal in mind, so naturally we got the idea of making game music together and made a shared portfolio that we pitched to various studios and indie projects. One of the biggest aspects was the music from those games, which we could listen to repeatedly without ever getting tired of it. We realised that we shared love for the same games from our childhoods, which mostly consisted of ’90s JRPGs ( Final Fantasy 6 and 7, Chrono Trigger, Xenogears, etc.). It all started when Elvira and I (Nicklas) met in 2012, where we both played in a metal band called Overworld (we both left the band 2015). We got the idea of making game music together and made a shared portfolio that we pitched to various studios and indie projects. We’ve been around for almost four years now and have been lucky enough to be part of some really cool projects, such as Angry Birds 2, Hammerwatch, several Toca Boca games and the newly released Aragami, which came out on October 4th. To start off, Two Feathers is our duo freelance company that focuses mainly on composing music for video games, as well as creating sound effects and audio implementation. Hello! We are Nicklas Hjertberg and Elvira Björkman from Two Feathers where we make cool stuff, like writing music and creating sounds for video games!Ĭould you tell us a little about your studio Two Feathers? How did it come to be? Hello Nicklas and Elvira, please introduce yourselves:

Aragami soundtrack